BUDDHISM UNDER THE LY DYNASTY
During the Ly dynasty (1010-1225), as the centralized
state apparatus was integrated and consolidated, Vietnamese society
became progressively more stable. The first written law, a criminal
code, was promulgated. Through a set of policies inducing support for
irrigation, the country experienced rapid agricultural, industrial, and
domestic and foreign commercial development. Successful military
resistance against the Chinese Song dynasty contributed to heighten
At that time, and particularly towards the end of the
eleventh century, all ideological and spiritual life came increasingly
under the influence of Confucianism. Nevertheless, instead of losing its
stature in the face of Confucianism, Buddhism rose to unprecedented
THE ASCENDANCE OF BUDDHISM
The founder of the Ly dynasty, Ly Cong Uan (also
known as Ly Thai To, his imperial name) was raised in a pagoda and
enjoyed support throughout his reign from such influential Buddhist
circles as monk Van Hanh of the Vinitaruci sect and monk Da Bao of the
Wu Yantong sect. Immediately after taking the throne, until the end of
his rule, Ly Cong Uan supported policies favorable to Buddhism’s
development. He sponsored the construction of pagodas throughout the
whole country, assisted those who wished to become monks, and sent
messengers to China to ask for the Tripitaka. Buddhism’s growth under
the patronage of Ly Thai To was able to take place as Buddhist practices
had already existed under the Dinh and Early Le dynasties.
All the Ly Kings venerated
Buddhism. Ly Thai Tong belonged to the seventh generation of the Wu
Yantong sect. Ly Thanh Tong belonged to the first generation of Thao
Duong sect, Ly Anh Tong belonged to the third generation, and Ly Cao
Tong to the fifth generation of the same sect. And Ly Hue Tong, after
abdicating to princess Chieu Hoang, took the Buddhist name, Hue Quang,
and entered the monkhood.
When a king follows Buddhist
practices, it is natural that the whole royal bureaucratic strata do the
same, a point brought out in the Linh Xung pagoda stele erected in
1126: "The high ranking dignitary Ly Thuong Kiet, although committed to
solving worldly problems, venerated Buddhism. Was this due to the fact
that the King and his mother patronized a Buddhist cult? Perhaps high
ranking dignitaries were merely obeying royal orders in their support of
Buddhism."1 According to Thien Uyen Tap Anh,
it appears that royal bureaucrats vied with each other to curry favor
with monks. The capital’s tutelary governor Nguyen (or Ly?) Tuan
reportedly respected the virtues and reputation of monk Dinh Huong such
that the monk was invited to reside at the Cam Ung pagoda.2
The bonze superior Cuu Chi
received three personal visas from the King Thai Tong. The King’s
advisor Luong Nham Van was known to hold great respect towards him.
Around the era Long Thuy Thai Binh (1054-1058), the Prime Minister Duong
Dao Gia invited bonze superior Cuu Chi to come and reside at the Dien
Linh pagoda.3 Cuu Chi, who died in 1063, was frequently consulted by many royal dignitaries including the grand duke Phung Can,4
Uy Vu, Hi Tu, Thien Hue, the price Hien Minh, the general Vuong Tai,
the greatest advisor Luong Nham Van, the great tutor Dao Su Trung, and
the chief dignitary, Kieu Bong.
The bonze superior, Dai Xa (1120-1180), was highly esteemed by Prince Kien Vinh and Princess Thien Cuc. "The Defence Minister
Phung Giang Tuong showed great respect for monk Quang Nghiem
(1122-1190) whom he invited to come and reside at the Tinh Qua pagoda".
The monk, Tri Thien, who lived during the Anh Tong and Cao Tong periods,
was also considered a master by the official, To Hien Thanh, and
advisor, Ngo Hoa Nghia.5
Many monks descended from royal bureaucratic
families. For example, the bonze superior, Vien Chieu (999-l090), was
the son of the Queen mother’s brother (Ly Thanh Tong’s mother). The
monk, Quang Tri (died about l082-1092), was the brother of imperial
concubine, Chieu Phung. The monk Hue Sinh (died in 1036) was the
Vice-Minister of Defence, Lam Tuong’s younger brother. The monk, Man
Giac (l052-l096), was the Vice Minister Ly Hoai To’s son. The monk, Tri
Bao (died 1190), was a high-ranking dignitary To Hien Thanh’s uncle. The
nun, Dieu Nhan (1042-1113), was the grand duke, Ly Nhat Trung’s
daughter, and was himself Ly Thai Tong’s son.
Big pagodas and towers were built under the Ly
dynasty at the expense of the kings or their families. The stele of the
Ling Xung pagoda reads:
More than two thousand years have gone by since the
onset of Buddhism, the cult of that religion scored new developments
from day-to-day. The people exploited every place to find beautiful
sites to build pagodas; without any help of royal family members, they
would have done nothing.
Owing to the support from kings
and mandarins, Buddhism obtained an important social position. Its
influence spread in every region of the country. In 1010, immediately
after the transfer of the capital to Thang Long (present-day Hanoi), Ly
Thai To ordered the building of a series of pagodas and promulgated a
decree encouraging citizens to become monks. Following his order,
pagodas and temples were built throughout the kingdom, even in remote
regions. Previously, under the Dinh and Early Le dynasties, many pagodas
were built in Thanh Hoa. Nevertheless, a series of new pagodas were
built in that province, particularly following Ly Thuong Kiet’s
nomination as its governor. To carry out the king’s exploration and
exploitation policies in Nghe An province, many royal ministers, such as
Ly Nhat Quang (Ly Thai To’s eighth son) and Luu Khanh Dam, came and
governed that region and ordered the building of many pagodas.6 Surprisingly,
under the Ly, pagodas were built in ethnic minority regions. For
example, the Bao Ninh Sung Phuc pagoda was built about 1107 in the Vi
Long mountainous district (Ha Tuyen), in a region inhabited by the Tay
The campaign to fill these new
pagodas was no less active. In 1014, the King approved the chief monk
Tham Van Uyen’s report asking to set a fasting altar in the Van Tue
pagoda in Thang Long citadel to train followers. Two years later, in
1016, more than a thousand Thang Long inhabitants were promoted to be
Buddhist instructors. In 1019, Ly Thai To signed another decree
encouraging the people in the entire country to become monks. The number
of Buddhist followers consequently increased. Thien Uyen Tap Anh gives
some indication of the number of followers in the pagodas. For example,
the monk Da Bao is said to have had more than one hundred followers in
his Kien So pagoda located in Phu Dong, Hanoi. During the mid-11th
century in the Trung Minh pagoda located on Thien Phuc mountain (Tien
Son, Ha Bac) where Thien Lao was the resident monk, "There were more
than a thousand believers who transformed his pagoda into an animated
Buddhist gathering." The monk Nguyen Hoc (died 1175) had more than one
hundred followers in his Quang Bao pagoda (Ha Bac). Monk Dao Hue (died
1172) had more than one thousand followers in his Quang Minh pagoda. And
in the Thanh Tuoc pagoda located on Du Hy mountain (Ha Bac), where the
monk Tri Bao (died 1190) cloistered, follower-inhabitants were so
numerous that the pagoda "seemed to be a market."
In order to feed such great
numbers, pagodas under the Ly, controlled rice fields, many of which
were royal donations of public land. There were other royal donations,
as well. According to the stele in the Van Phuc pagoda (present-day Phat
Tich pagoda in Tien Son, Ha Bac) in the fourth year of Long Thuy Thai
Binh era (1057), the King ordered the construction of more than one
hundred rice fields. The stele in the Bao An pagoda (Me Linh, Hanoi),
erected in 1209, mentions that a man with the family name Nguyen granted
to the pagoda many rice fields: "On all 126 acres, rice was grown to
make rice-cakes to feed monks, three acres were given to pagoda keepers,
and the remaining part was given to the inhabitants for pagoda
festivities, and for alms to forsaken spirits".7 The
inscription on the bell in the Than Quang pagoda (today’s Keo pagoda in
Vu Thu, Thai Binh) estimates in all the Ly kings offered pagodas 1,371
These pagoda rice fields were sometimes located very
far from the pagodas, as a stele in the Sung Thien Dien Linh tower (Doi
pagoda, Ha Nam Ninh) relates:
The Queen mother Linh Nhan offered 72 contiguous
Vietnamese acres of rice fields, situated in the Man De region belonging
to the two hamlets of Cam Truc and Thu Lang in Cam Giang district. The
inhabitants enjoyed their harvests for generations. Those rice fields
were offered to the cult of Buddha and were exempt from taxation.
The pagodas were located in Duy Tien, Ha Nam Ninh
province, and the rice fields were in Cam Binh, Hai Hung province. That
proves the pagoda possessed many rice fields scattered in many places.
Pagoda rice fields were primarily farmed by sharecroppers. Some pagodas under the Ly even used slaves in their fields. Dai Viet Su Ky Toan Thu mentions that, "Pagodas had slaves and wealth stored in warehouses."8 A certain number of monks were provided by the Ly with "thuc ho," meaning that those people were allowed to charge rent and tax peasants. For example, according to Thien Uyen Tap Anh,
the monk Man Giac residing in the Giao Nguyen pagoda in the Thang Long
citadel was allowed by the Ly to tax the wealth of 50 families. After
the monk Khong Lo’s death (1119), the Ly Emperor signed a decree
permitting pagoda expansion and exempting 20 families from rent and
taxes which could be used to make ceremonial offerings. Both Dai Vet Su Ky Toan Thu and Thien Uyen Tap Anh
tell of monk Minh Khong, who after having successfully cured the King
Ly Than Tong, was allowed to charge rent and tax two hundred families
and was exempted from having to pay rent and taxes himself.9
After the monk Giac Hai’s death, King Ly Than Tong
exempted 20 families from taxes and rent, provided they venerate the
monk. monk Gioi Khong enjoyed the same arrangement with 10 families.
Pagodas had large quantities of wealth donated by the believers, i.e., "kho vat," wealth kept in warehouses as was written in the Dai Vet Su Ky Toan Thu. Thien Uyen Tap Anh
also wrote that the monk Tinh Khong (died in 1170) residing in the Khai
Quoc pagoda in Thang Long was offered so much wealth and offerings that
thieves followed him around the pagoda.
The monk Tri Thien, living under Ly Anh Tong and Ly
Cao Tong’s reigns in the Phu Mon pagoda, was given many offerings by
Buddhist believers from many regions. According to the text on the stele
written in 1157, the Dien Phuc pagoda located in the Co Viet hamlet
(Hai Hung) reserved a whole courtyard to store its rice harvest.
Due to the possession by
pagodas of many rice fields, lands and wealth, in 1088, King Ly Nhan
Tong authorized high-ranking officials to function as "de cu," i.e., pagoda wealth-managers 10. In short, under the Ly, the economic influence of pagodas further strengthened Buddhism’s position in Vietnamese society.
The Ly also maintained the
hierarchic system of Buddhism that had existed under the Dinh and Early
Le, a system comprised of chief monks and common monks. Their functions
were divided into two degrees: left side chief monks and right side
chief monks; left side common monks and right side common monks.11
A certain number of monks commanding great prestige were promoted to
state advisors by the kings. And many State advisors performed the chief
monk function as the monk Vien Thong (1080-1151). There were also many
chief monks who were not state advisors, as the monk Khanh Hy
(l067-1142) and many state advisors, who failed to work as chief monks,
as the monk Minh Khong (1099-1174). In many regions, a certain number of
monks were appointed to look after Buddhist affairs in the region. For
example, the texts of a stele in the Sung Nghiem Dien Thanh Pagoda,
erected in 1118, and a stele in the Linh Xung pagoda, erected in l126,
describe that, while monk Phap Bao stayed in the Phuc Dien Tu Thanh
pagoda (Thanh Hoa), he was also in charge of common religious affairs in
the district of Cuu Chan, Thanh Hoa.
A certain number of monks participated in the Ly Cong
Uan’s enthronement. Monk Van Hanh and the monk Da Bao both played
important roles in politics. Thien Uyen Tap Anh gives further evidence of the connection between Buddhism and the State:
After having been enthroned, Ly Thai To often invited
the monk Da Bao to the imperial palace for consultation on religious
problems and generously remunerated him. Even during discussions of
political affairs, the monk was allowed to take part. But after the Ly’s
state apparatus was consolidated, monks no longer took part in
political affairs. The state’s advisors were the nation’s masters on
religion and not advisors on political concerns. A certain number of
monks were invited by the Kings to come to the imperial palace by the
side gate only for consultation on the Buddhist doctrine. They became
limited to roles in the religious sphere and not in handling life
Sometimes, the monks even formulated the country’s
governing policy: The imperial preceptor Vien Thong gave the following
advice to Ly Than Tong:
The people are like
material things. If they are put in a peaceful place, they will be
peaceful. If they are put in a dangerous position, they will become
dangerous. All depends on their master’s behavior. If the master’s love
conforms to men’s hearts, he will be beloved as their parents, admired
as the sun and the moon, and so he will put his people in a peaceful
position. Whether the country is at peace or in trouble, all depends on
its public officials. If the latter are good public servants, the
country will live in peac.. If not, the country will live in trouble. By
experience, it can be seen that among the previous rulers, none has
made the country rise without employing great men, nor made the country
fall without employing little men. But the origin of a country’s rise or
fall is not a pretext that comes instantly, but only gradually. The
universe cannot be suddenly cold or hot to the season spring or autumn.
It is the same for the Kings. They are powerful or crumble gradually on
condition that they have performed good or evil actions. The last time
Kings have known all that, so they imitated Heaven in incessantly
cultivating their virtues aimed at bettering themselves, or they
imitated Earth in incessantly cultivating their virtues aimed at
pacifying the people. To correct oneself, one must be careful in one’s
heart, be afraid as if walking on thin ice. To pacify the country, one
must respect one’s inferior, must be afraid as one holds worn reins.
Doing so, one will inevitably be powerful. Doing the contrary, one
cannot avoid failure. Power or crumbling comes progressively.12
Although these words refer to
national policy, they reflect no more than a general view. Indeed, as
was the situation of Buddhism at the time, the doctrine’s belief in
benevolence more or less influenced royal policies, as has been amply
recorded in ancient historical records. The Buddhist spirit during the
Ly period was manifested through Buddhist activities as well as through
its celebrations, both of which created unique cultural characteristics.
Festivities were often held for the inauguration of new pagodas and
towers. Large Buddhist functions were organized by the kings, as many
pages in history refer to those Ly festivities. For example, in 1118,
the Festival of the Thousand Buddhas was
held for the Thang Nghiem Thanh Tho pagoda’s inauguration. In 1119, a
celebration took place to mark the completion of the Tinh Lu pagoda. In
1123, an inauguration festival was held for the Phung Tu pagoda and
another for the Quang Giao pagoda in Tien Du. In 1121 a ceremony for the
inauguration of the Sung Thien Dien Linh Tower in Doi Son (Doi
mountain) was held.13 In 1127, the Trung Hung Dien Tho pagoda was inaugurated.
We can wean an impression of the atmosphere at these
inaugural ceremonies from two paragraphs of the stele on the Sung Thien
Dien Linh Tower (1121):
Before the inauguration,
pagoda servants always embellished palanquins and vehicles and swept
dust. Sandal smoke hovered above the country like clouds. Flags and
gonfalons flew everywhere, in all directions. Bells and tom-toms
resounded loudly. Gongs and cymbals echoed noisily. In front of the
procession, there was the rattan vehicle of the Buddhist altar and in
the rear, there was the imperial palanquin, monks, nuns...
The King seriously read the
litany and at the end bowed his head in thanks to Heaven. The palace
women stood with a shy air. After the prayers they offered milk for
dancing and singing. Vegetarian food with white rice was offered to
hungry passers-by. Money was distributed generously to poor people from
Festivals existed during the
construction of pagodas and statuary, as well as the casting of bells.
Historical records reveal that in 1036 the Long Tri Festival
commemorated the erection of the Buddha Dai Nguyen statue. In 1040
during the La Han Festival, more than a thousand statues and paintings
of Buddha and ten thousand gonfalons were inaugurated. Festivals were
also organized to encourage people to join the monkhood as Dai Viet Su Ky Toan Thu reports occurred in Nghenh Tien Duong. These Buddhist festivals were organized both by kings and common folk.
In addition to the festivities marking the
inauguration of pagodas, towers, statues, and bells, other annual
Buddhist festivities took place. Historic books and Buddhist annals
recall the annual festivities organized under the Ly, as the Buddha’s
bath, the Buddha’s birthday (eighth day of the fourth lunar month), the
Wandering manes day (15th day of seventh lunar month). It was at this
time that monks began their practice of the vassa three month summer retreat. Thien Uyen Tap Anh recalls in the story of the monk Tuc Lu the ‘escape from summer day’, the 15th day of the seventh lunar month.
In the localities of many pagodas and monks the
number of male and female believers was also great. And many of these
believers organized associations aimed at helping monks, particularly
with ceremonial celebrations. The stele in the Bao An pagoda, erected in
1209 in Me Linh, Hanoi, mentions one such association, named Hoi Thich
Giao ("The Buddhist Association"), founded with 10 members. Under the
Ly, pagodas were not only places for monks and Buddhist believers, they
were also centers for cultural activities and studies. Large pagodas
also functioned as schools for aspiring monks. Many pagodas provided
schooling for children.
With respect to the canon, during the previous Dinh
and Early Le dynasties (refer to the preceding chapter), only prayer
books imported during Chinese control continued to be used, especially
texts obtained during the Song dynasty. By 1007, King Le Ngoa Trieu had
sent his brother Minh Xuong, accompanied by Hoang Thanh Nha, to ask the
Song Emperor for a copy of the Tripitaka (known as Dai Tang
in Vietnamese) prayers which were brought back to Vietnam only in 1009.
This copy had been published in 983 but carved and printed since 972 on
the order of Emperor Taizu of the Song dynasty.
After having transferred his
capital to Thang Long, Ly Thai To ordered the construction of the Tran
Phuc prayer repository. In 1018, once again, Ly Thai To sent Nguyen Dao
Thanh15 and Pham Hac to ask
the Song Emperor for the Tripitaka. Up to 1020, Nguyen Dao Thanh brought
the prayers back to Guangzhou and was welcomed by the chief monk Phi
Tri sent by Thai To. One year later, That To again ordered the
construction of Bat Giac repository, to store the prayers obtained the
year before. In 1023, the King ordered another Tripitaka copy to be kept
in the Dai Hung repository. In 1027, Thai To again ordered a copy of
the Tripitaka to be made.
In 1034, King Thai Tong ordered
the construction of the Trung Hung prayer repository in the Trung Quang
pagoda located on the Tien Du mountain. In the same year, Ha Thu and Do
Khoan were sent as ambassadors to the Song Empire and were offered by
the Song Emperor another Tripitaka prayer collection. Two years later,
once again, Ly Thai Tong mandated another copy of the prayers to be kept
in the newly built Trung Hung repository. Under King Ly Nhan Tong’s
reign, as historic records show, ambassadors Luong Dung Luat in l081 and
Nguyen Van Tin in 1098 made two trips to China seeking the Tripitaka
from the Song Emperors.16
As a consequence of this activity, by the 11th
century in Vietnam there were many printed or handwritten Tripitaka
books. Those sutras were based on Song’s first printed Tripitaka and not
the second version completed in 1176 known as Sung Ninh Van Tho Dai Tang. According to Thien Uyen Tap Anh, the sutras used under the Ly dynasty were variously called Phap Hoa, Vien Giac, Hoa Nghiem, Duoc Su, Kim Cuong, and etc. Dai Viet Su Luoc also related that in 1179, children of Buddhist dignitaries read the Prajna prayers.17 A certain number of Buddhist documents as Tuyet Dau Ngu Luc were also propagated. A certain number of generally used sutras were also printed. According to Thien Uyen Tap Anh,
the monk Tin Hoc (died, 1190), born into a carver’s family, also
printed sutras. Under the Ly, many monks wrote many important texts on
Buddhist ideology, which include:
- Phap Su Trai Nghi by Hue Sinh (died, 1063)
- Chu Dao Trang Khanh Tan Van by the same monk.
- Tan Vien Giac Kinh by Vien Chieu (died, l090)
- Duoc Su Thap Nhi Nguyen Van by the same monk.
- Thap Nhi Bo Tat Hanh Tu Chung Dao Trang by the same monk
- Tham Do Hien Quyet by the same monk
- Chieu Doi Luc by Bien Tai
-Tang Gia Tap Luc, containing more than 50 chapters, by the monk Vien Thong (died, 1151).
- Chu Phat Tich Duyen Su, containing more than 30 chapters by
the same monk.
- Nam Tong Tu phap Do by Thuong Chieu (died in l203).
Unfortunately, all these primary works have been
lost. Only a scattered collection of poems, litanies, speeches to the
followers remain with us from monks that lived under the Ly. It is only
on the basis of these few documents that historians can discern the
ideology of various Buddhist sects during that period.
Below is a summary of the Vinitaruci and Wu Yantong
sects which survived throughout the Ly dynasty, following which is an
introduction to the Thao Duong sect which surfaced during the Ly period.
THE VINITARUCI CHAN SECT DURING THE LY DYNASTY
According to the genealogy given in Thien Uyen Tap Anh, the Vintaruci Buddhist sect’s eleventh to nineteenth generations occurred during the Ly period:
- The Eleventh generation comprised four monks: Thien Ong (902-979), Sung Pham (1004-1078)18 and two unnamed monks; among them could have been Tri Huyen, the monk to whom Dao Hanh had paid a visit.
- The Twelfth generation
comprised seven monks: Van Hanh (? -1018), Dinh Hue (?-?), Tu Dao Hanh
(?- 1117), Tri Bat (1049-1116), Thuan Chan (?-1101)19 and two others not mentioned in any book.
- The Thirteenth generation comprised six monks: Hue
Sinh (?-1063), Thien Nham (1093-1163), Minh Khong (l066-1141), Ban Tich
(? – 1140) and two unrelated monks who were Phap Thong and Hue Sinh’s
- The Fourteenth generation comprised four monks:
Khanh Hy (1067-1140) and three others who could have been Tinh Nhan,
Tinh Nhu, in addition to Khanh Hy’s two disciples and Quang Phuc, Gioi
Khongs master belonging to the following generation.
- The Fifteenth generation comprised three monks:
Gioi Khong (?-?), Phap Dung (?-1174) another who could have been Thao
Nhat, the monk Chan Khong’s master belonging to the following
- The Sixteenth generation was made up of three monks: Tri Thien (?-?), Chan Khong (1046-1100), and Dao Lam (? -1203).
- The Seventeenth generation comprised four monks and
nuns: the nun Dieu Nhan (l042-1113), Vien Hoc (1050-1113), Tinh Thien
(1121-l193) and possibly Tinh Khong, Tinh Thien’s disciple.
- The Eighteenth generation comprised two monks: Vien Thong (1080-1151) and possibly Phap Ky, Tinh Thien’s follower.
- The Nineteenth generation comprised two monks: Y Son (? -1213) and another.
If historians merely relied on the explanations of monastic training, speeches, and litanies that appear in Thien Uyen Tap Anh,
they would find it difficult to isolate the particular characteristics
of every Buddhist sect under the Ly. They are usually resigned to only
speaking about dominant tendencies due to the co-existence and
reciprocal influence of the various sects over centuries.
In fact, until the Ly, Buddhist sects had no fixed
centers. Wu Yantong sect monk Thuong Chieu (died 1203) was cloistered in
the Luc To Pagoda located in Dich Bang (i.e. Dinh Bang today), which
had been a center for the Vinitaruci sect. According to the Thien Uyen Tap Anh, he was not unique in this respect.
By the end of the 11th and
the beginning of the 12th centuries, both the twelfth generation Wu
Yantong monk Thuong Chieu and the monk Bien Tai belonging to the
Vinitaruci sect came to cloister in the Van Tue pagoda in Thang Long,
although the latter had been in the palace where Hue Sinh, belonging to
the Vinitaruci sect, was the resident monk. Moreover, Khanh Hy, a
well-known Vinitaruci sect monk under the Ly, once came and paid a
Buddhist consultation visit to Bien Tai in the Van Tue pagoda. In front
of Khanh Hy, Bien Tai praised Ban Tich, Khanh Hy’s master, as a
proficient monk. Adding to the confusion, there were a number of
similarities between the Vinitaruci and Wu Yantong sects in ideology and
monastic training. Nevertheless, the former has a clearer propensity
towards Tantrism. As mentioned in the previous chapter, this tendency
developed under the Dinh and Early Le dynasties. In fact, until the Ly
period, many monks of this sect practiced Tantrism. The most
representative was bonze superior Tu Dao Hanh, a contemporary of Van
Tu Dao Hanh’s biography was
full of a series of mystic and strange stories as "commanding the
sylphs, dancing with magic sticks, being reincarnated, escaping from the
body...." This monk often caught forest snakes and wild animals and
ordered them to come and be around him. He burnt his fingers to pray for
rain, used magic water to cure diseases, all his work was magical.20
Similar to monk Ma Ha who lived during the Le period, Tu Dao Hanh’s
training methods bore the character of Tantrism: "The monk came and
lived as an hermit in the Fu Son mountain, recited Mahakarunahrdayadharani prayers every day one hundred and eight thousand times."21
Tu Dao Hanh’s contemporary Tri Bat also practiced
Tantrism. In his litany on life and death of the Buddhist character
compiled before he died in 1117, Tri Bat ends with the following magical
words: um to ro to ro tat ri. Tri Bat was monk Sung Pham’s
disciple in the Phap Van pagoda. Before coming to cloister in the Phap
Van pagoda, Sung Pham studied in India for nine years. Tu Dao Hanh had
also come to that pagoda to consult Sung Pham on religious problems.
Perhaps due to the influence of Tantric monks such as monk Dao Hanh, Tri
Bat’s practices were nothing but the continuation of a tradition which
existed long before. It is also very probable that Tantric tendencies
were reinforced by Sung Pham, as Indian Buddhism contained a Tantric
character during Sung Pham’s visit there.
Bonze superior Minh Khong, Dao
Hanh’s disciple who also practiced Tantrism, was reputed for having
cured King Than Tong with magic methods. Likewise, Thien Nham, a Minh
Khong contemporary, was a Tantrist who fully consecrated himself to
studying the ‘Tong Tri Dalani’ prayers, learning them by heart
without missing a word. Bonze superior Gioi Khong who belonged to the
fifteenth Vinitaruci generation was reputed to have commanded angels and
demons, to have tamed wild beasts, and to have used magic water to cure
diseases.22 His disciple, a
monk named Tri Thien, was recognized as a master by the high ranking
dignitary To Hien Thanh, and once compelled a tiger to bow before him on
the Tu Son mountain.
More so than other sects, Vinitaruci Buddhism seemed
to cultivate Tantrism. Nevertheless, monks belonging to the Vinitaruci
Buddhist sect were interested in dilemmas in Buddhist ideology,
especially those in the whole Chan school. One of those problems was the
issue of existence. Monks belonging to the Vinitaruci sect hoped to
overcome this problem by examining the concepts of "to be" and "not to
be." Bonze superior, Hue Sinh, presented this dilemma when answering
King Ly Thai To’s litany this way:
It is evident that the Prajna has no origin.
You are nothing, I am nothing, too.
In the past, in the present as well as in the future
All Buddhas have the same Buddhist nature.
In his litany, Ly Thai Tong had presented the conception of the void (Sunyata) according to the Madhyamika sect.23 Hue Sinh’s answer to the king with respect to this issue was:
To be religious is alike not to be religious
To have is also not to have
If the men are well aware of that truism
The living beings will resemble Buddha.
The Lang Gia moon is solitary and quiet.
The junk crosses the sea with nothing inside
To know not to have and to understand as to have,
One will understand everything.
Through his poem, the monk Hue Sinh wished to
discredit this dilemma advising King Ly Thai Tong to detach himself from
these concepts. A similar recommendation can be weaned from the Lang
Gia prayers (Lankavatara). These prayers show the Samadhi helped
to accurately prove the real character of magic without paying any
attention to the surroundings and committing an error based on
committing any one of the ontological extremes.
The conception "the evil living beings resemble Buddha" probably came from the explanation of equality (samata)
already presented by the Lankavatara. But Hue Sinh had already
expressed this idea in a concise litany using the magnificent image: "an
empty, junk, silently gliding under the quiet moonlight." Even the
Tantrist Tu Dao Hanh wrote a marvelous litany about the problem of ‘to
be’ or ‘not to be’:
To be is a very little thing
Not to be, everything is nothing
The moon reflects its bright light on the river water
Do not say whether they exist or not.24
The concluding sentence’s counsel constitutes a clear
principle: never begin as a premise with a conception of existence, for
the relation between ‘to be’ and ‘not to be’ is equal to the Buddhist
image of the moonlight on the river water.
In reality, this ‘existence’ dilemma was not limited
to the Vinitaruci sect. It confronted all Buddhist sects under the Ly.
The same thought was discovered in Queen Mother Y Lan’s litany:
Existence means nothing, nothing means existence
Nothing is existence, existence means nothing
Existence, nothing, one must not mind it
That will conform to Buddhist truth.25
Equipped with their view of being and nothingness,
monks belonging to the Vinitaruci sect studied the problem of human life
and death, an issue closely linked with the infinite that the living
beings must overcome. Tri Bat expressed his conception in a short
If there is death, there is life
If there is life, there is death
Death causes affliction to the living beings.
Life gives them joy
Affliction and joy are infinite
And oppose themselves to each other
Everything about life and death does not deserve our interest
Om! Suru, Suru, Sri!
Thuan Chan, a Tri Bat contemporary, before dying, read to his disciple, Ban Tich, the following litany on life and death:
The true nature often has no nature
It never lives nor ever dies;
The body is a ‘means’ for life or death,
The nature of that ‘means’ remains unchanged.
In his litany, Thuan Chan stressed that the body is
nothing but a means among other means in the phenomenal world where
there is life and death; only the Invariable Truth (tathala) and dharmata
are eternal, without life or death. Confronting the life and death
dilemma, the nun, Dieu Nhan (1042-1113), expressed an original point of
view in the following litany:
Life, aging, disease, death
Are natural laws.
The more one begs for an escape from all those things
The more he will be attached to them.
If one gets passions, he must petition Buddha;
If one gets bewitched, he must pray to religion;
If he does not beg Buddha or religion,
He must sit quiet and smiling.26
Dieu Nhan considered life, aging, disease, and death
as natural laws. The desire to escape them constitutes nothing but the
desire to untie oneself and at the same time to fasten oneself down
more. If one needs Buddha or religion, that means he needs his own force
that will be nothing but his bewitchment, his ignorance. With respect
to a certain number of other philosophical quandaries, the position of
the Vinitaruci sect coincided with the Wu Yantong Buddhist sect.
THE WU YAN TONG SECT UNDER THE LY
According to the genealogy in Thien Uyen Tap Anh, the Wu Yantong Buddhist sect developed under the Ly reign for its fifth to fifteenth generations:
- The Fifth generation comprised two monks, but only
the bonze superior Da Bao was mentioned. He was the great monk Khuong
Viet’s disciple. His lifetime remains unknown. We know only Da Bao’s
participation in political affairs during Ly Thai To’s throne.
- The Sixth generation was made up of three monks: Dinh Huong (? - 1051), Thien Lao (?-?) and an unnamed monk.
-The Seventh generation comprised seven monks: Vien
Chieu (999-1090), bonze superior Cuu Chi (died between 1059-1066), Bao
Tinh (? -1034), Minh Tam (? -1034), Quang Tri (died between 1085-1092),
King Ly Thai Tong (1000-1054) and an unmentioned monk.
- The Eighth generation comprised six monks: Thong
Bien (? -1134), Man Giac (1052-1096), Ngo An (1020-1088) and three monks
not described, among whom there was perhaps the monk of the Bao Phuc
pagoda, the master of Bao Giam who belonged to the next generation.
- The Ninth generation comprised eight monks: Dao Hue
(? -1172), Bien Tai (?-?), Bao Giam (? -1173), Khong Lo (? -1119), Ban
Tinh (1100-1176) and three not mentioned monks among whom there was the
monk Bao Giac, Tinh Gioi’s master who belonging to the next generation
and the monk Vien Tri whose student Nguyen Hoc belonged to the following
- The Tenth generation
comprised 12 monks : Minh Tri (? -1196), Tin Hoc (? - 1190), Tinh Khong
(? -1170), Dai Xa (1120-1180), Tinh Luc (1112-1175), Tri Bao (? - 1190),
Truong Nguyen (1110-1165), Tinh Gioi (? -1207), Giac Hai (?-?), Nguyen
Hoc (? -1175) and two others not mentioned.27
- The Eleventh generation comprised nine monks but
only one, the monk Quang Nghiem, was related (1122-1190) whiles the
eight others were not.
- The Twelfth generation comprised seven monks but
only one the monk Thuong Chieu (? - 1203) was mentioned while the six
others were not.
- The Thirteenth generation comprised five monks:
Thong Su or Thong Thien (? - 1228), Than Nghi (?-1216) and three others
not named among whom was monk Tri Thong, master of Hien Quang who
belonged to the next generation.
- The Fourteenth generation comprised five monks:
Hien Quang (? - 1220), Tuc Lu (?-?) and three others not related, among
whom was the monk An Khong, Than Nghi’s disciple.
- The Fifteenth generation
comprised seven monks, but only one was related, that was Ung Vuong or
Ung Thuan while the six others were not mentioned, among whom was Dao
Vien, Hien Quang’s disciple.28
Based on historical evidence,
the Wu Yantong Buddhist sect was founded in Vietnam in the ninth
century. When he was in China, Wu Yantong was the monk Bach Truong Hoai
Hai’s (Bai Zhang Huaihai’s) disciple and the monk Nguong Son Tue Tich’s
master.29 The Wu Yantong Buddhist sect has its origins in Hui Neng’s southern China sect (Linji).
In his lessons to his disciple Cam Thanh, Wu Yantong
expressed his recognition of the history of Buddhism in China as
presented by Hui Neng and his followers. According to them, Buddhism had
28 Indian ancestors from Mahakas’yapa to Bodhidharma, who is considered
as the first ancestor of Buddhism in China. Buddhism from Bodhidharma
was transmitted through four Chinese ancestors to Hui Neng who was the
sixth ancestor. From that date on, Buddhism was divided into two sects -
Northern and Southern.
According to Hui Neng’s
disciples, only the southern sect was orthodox. Hui Neng handed his
mantle to Nam Nhac Hoai Nhuong who passed it to Ma To Dao Nhat. The
latter did the same with Bach Truong Hoai Hai, who was Wu Yantong’s
master. Hoai Nhuong set up the Cao Qi sect and was the founder of
Buddhism in the south.30
Thus, Wu Yantong can be considered as belonging to
the Cao Qi sect, as Buddhism in southern China had an obvious influence
on this monk and his Wu Yantong sect. Up until the Ly dynasty, the Wu
Yantong sect in Vietnam had an ideology similar to Buddhists in southern
China. One of the important views of Buddhism in southern China was don ngo (immediate enlightenment). The southern China Chan sect "promoted this point of view to oppose the tiem ngo promoted by the northern sect. Tiem ngo
means progressive enlightenment obtained step-by-step through
education, reciting prayers, listening to Buddhist lessons, etc., that
is, needing the help of written documents. Don ngo is
prompt enlightenment which comes in a minute, when the Intellect-Prajna
light blazes, and so there is no need of languages and written
documents. The name ‘Wu Yantong’ means "to understand without speech"
(literally, "not through language"), and took its origin from this
Reflecting this sentiment, Thien Lao, a monk
belonging to the Wu Yantong sect from the sixth generation once said to
Ly Thai Tong: "Many words have no use." Likewise denying the
communicative capacity of languages, Tinh Gioi, a monk of the tenth
generation of that sect, angrily uttered:
It is ridiculous for an ignoramus of Buddhism who uses languages to propagate the religious family!
Reading carefully stories on the monks in Thien Uyen Tap Anh, we can see the use by both the Vinitaruci and Wu Yantong sects under Ly’s reign of a certain number of prayers such as ‘Dieu Phap Lien Hoa’ and ‘Kim Cuong Bat Nha’. Only the ‘Vien Giac’
prayers learned by many monks of the Wu Yantong sect were ignored by
the monks of the Vinitaruci sect. A series of monks of the Wu Yantong
sect such as Vien Chieu, Ngo An, Minh Tri, Tin Hoc, and Tinh Luc,
however, patiently used the ‘Vien Giac’ prayers.
Bonze superior, Vien Chieu, even wrote a book called the ‘Tan Vien Giac Prayers’
in which he presented and analyzed the thoughts contained in the ‘Vien
Giac’ prayers. The latter were the Mahayana prayers dealing with prompt
enlightenment. It was written in those prayers: "These prayers contain
the dogma on immediate enlightenment of Mahayana Buddhism. Living beings
have a character which can be enlightened with the help of these
prayers. Prompt character is the ‘intelligence-ability’ to lead the
consciousness to prompt awakening."
Thien Uyen Tap Anh mentions that bonze superior Vien Chieu understood very well the three main magic penetrations in the ‘Vien Giac’ prayers which monk Tin Hoc also patiently studied. The three penetrations in the ‘Vien Giac prayers’ were Samatha, Samapati, Dhyana, three forms of meditation.
In fact, the monks under the Ly highly appreciated
consciousness’s prompt enlightenment without denying progressive
enlightenment. Thien Uyen Tap Anh recounts that the monk Ban Tich
(died in 1140) who belonged to the thirteenth generation of the
Vinitaruci Sect deeply understood the magic of prompt enlightenment and
progressive enlightenment. Surely his position was not unique here. Even
the stele of the Sung Nghiem Dien Thanh pagoda erected in 1118 wrote:
"Although there are prompt enlightenment and progressive enlightenment,
all depends on whether enlightenment is deep or superficial." Towards
the men who have no prompt character or prompt motive, we must educate
them by other ways. As we see shall see in the next chapter, this view
continued to hold sway under the Trans reign.
The point of view on prompt enlightenment was
established on the basis of the southern China Sect and also was that of
the Wu Yantong sect. After those sects, every phap (Dharma),
i.e., the universe of phenomena, is by itself "nothing": it appears in
front of us like an illusion and is nothing but an "illusion". This
ontology was the Sunyata doctrine of the Madhyamaka Indian Sect
and the canon belongs to the Prajna system recalled repeatedly by many
monks of the Wu Yantong sect. The monk Dinh Huong (? - 1051), belonging
to the sixth generation, said the following:
From the old time, there is no country,
Country is the true family.
The true family is also an illusion.31
"To be" is illusion, so "not to be" is "not to be".
"Not to be" is "not to be" was a concept developed in the Mahaprajnaranita - sastra, a fundamental work of the Madhyamika Sect.32
As is mentioned above, King Ly Thai Tong of the seventh generation of
the Wu Yantong sect had once said: "You are nothing, I am nothing too".
The monk Dao Hue (died in 1172) of the ninth generation wrote a litany
on the "nothingness" point of view:
Soil water, fire, wind and conscience
All are nothing from the very first .
Like the clouds, they gather and disperse;
Only Buddha’s Sun shines indefinitely.
Bonze superior Dai Xa (1120-1180) of the tenth
generation, in presenting the same intention, the elements soil, water,
fire, wind, "composing the heart of my body can be compared to four
snakes put in the same basket, and in fact that’s nothing."
The body is nothing and when it appears, it is
nothing but an illusion. The monk Ban Tich (1100-1176) belonging to the
ninth generation gave the image of a shadow in a looking glass to
compare to the self-illusion:
The self illusion is originally born from nothing,
Like the images which appear on the looking glass;
If one knows all those images are nothing,
The self illusion will instantly prove their true physiognomy.
The essence of oneself is an illusion and originally
has no shadow, no image. The monk Minh Tri (died 1196) belonging to the
tenth generation described that character of the essence of oneself in
the following litany:
The wind blows in the pine tree,
The moon shines on the water surface,
There is neither shadow nor image;
The essence of oneself is like that:
Looking for it is like looking for the echo in nothingness.
Speaking about the illusory character of the phap of the phenomenal universe, the monk Giac Hai belonging to the same generation with Minh Tri composed a beautiful poem:
Spring comes: flowers and butterflies know very well that season.
Butterflies, flowers smile: that happens in accurate time.
One must know that butterflies and flowers are illusory;
He must not bother about butterflies or flowers:
Why pay attention to them?33
While the phap (Dharma) is regarded as nothing
and illusion, the Wu Yantong sect as well as the others, paid
particular interest to the Heart, considered as the source of any phap, of the phenomenal universe. The relation between the Heart and the phap was perfectly explained by the bonze superior belonging to the seventh generation of the Wu Yantong sect:
All the phap take their origin from one’s character, all the phap take their origin from the Heart. The Heart and the phap
are one and not two. Ties and griefs, all are nothing. Sin, happiness,
right and wrong things, all are nothing. Nothing is not the effect,
nothing is not the cause. One must not separate revenge from Karma or
must not separate Karma from revenge. Any separation would mean no
possibility of existence. Although he pretends to see all phap, he sees nothing. The origin is to know that all phap lie in the predestined affinities and the source is to know that all phap lie in real truth.34
Although living among the genuine realities,35
one must know that the universe is in perpetual evolution. Oneself as a
living being belongs to a single religion and not two. One must not
live away from Karma, for that is a master means for doing good things.
In the universe of life and death evolution, using only the phap of that universe without any distinction from the ‘no life no death’ universe36
would mean to break off with his conception of "Oneself". At the end,
bonze superior Cuu Chi summarized with the following litany:
To understand deeply one’s inner heart means to
remain quietly contemplative. To materialize all phap into real
phenomena. The universe of life and death and that of no life no death,
taking their origin from these phenomena, are as uncountable and
numerous as the sand of the Ganges. Although they fill the Nothingness,
they are in reality of no form. In the everlasting universe, nothing
could be compared with that inner heart. And it always is bright
Thus, according to Cuu Chi, despite its multiform
aspect, the universe of phenomena comes from the evolution of the heart.
That heart is full of nullity and has no form.
One hundred years after Cuu Chi,37
the monk Nguyen Hoc (died in 1075) belonging to the tenth generation,
composed also a litany about the heart which comprised some lines
repeating many of Cuu Chi’s thoughts:
Enlightens the heart and opens the ‘intelligence-eyes’,
Transforms the soul, reveals the true physiognomy.
Walking, standing, lying, sitting are naturally easy.
No one can foresee its ‘appearing or disappearing’ evolution.
Although it is full of nullity, in fact it does not have any physiognomy.
Anything in this universe could be compared to it. The divine sense eternal1y appears and illuminates very brightly.
Despite its daily and tireless speeches on the physiognomy
It has no word to express, that satisfactory heart.38
Bonze superior Thuong Chieu (died in 1203), belonging to the twelfth generation, wrote the following short litany on the Heart:
The human’s body exists in this life
While the Heart is of Buddha’s nature
It illuminates everywhere
But no one can find it because of immensity and obscurity.
Regarding the Heart as Buddha’s
nature originates from Chinese Buddhism before Hui Neng with its basis
on the Lankavatara-sutra. Those prayers asserted that the Heart, or alayavijnana, was Tathagatagarbha or ‘The Buddha’s nature’.39
We know that seeking Buddha’s
nature in the heart is the fundamental principle of Buddhism. From the
"all the Buddhist characters come from the heart" conception, as the
bonze superior Cuu Chi said, monks of the Wu Yantong sect, as well as a
certain number of the monks of the Vinitaruci sect, paid particular
attention to what was called Tathata (invariable truth). It was
called by different names, such as "True physiognomy Buddhist nature
miraculous substance ... is considered as the universal inner substance,
is hidden in every phap of the phenomenal universe and lasts forever unchanging.40
Describing this inner substance, the monk, Truong Nguyen (1160-1165), wrote the beautiful litany:
It exists in the light, in a neck of dust,
But does not live in the light or the dust.
The heart and the mind are crystal-clear;
It has affinity with nothing,
It is the natural substance.
It penetrates in everything without any exception;
It is the clever worker who creates the universe,
It would be mankind’s morality,
And creates Nature
And remains fresh as Nature;
It resembles a dancing iron girl
And a wooden drummer.
That ‘invariable truth’ appears in everything is the thought in monk Thien Lao’s following poem:
The green bamboo, the yellow flower are not external things.
The white cloud, the bright moonlight appear clearly in that full truth.
This Invariable truth which remains fresh as spring
in nature became the inspiration for many poet monks under the Ly. Bonze
superior, Man Giac (1052-1096), belonging to the eighth generation of
the Wu Yantong sect, had a well-known poem called "Proclamation on the
living being’s defects":
When Spring goes away, every flower falls.
When it comes, every flower smiles.
Before one’s eyes, things pass forever,
And oldness arrives on our head.
Do not think all the flowers fall when Spring ends.
Last night, on the front courtyard,
An apricot branch stayed on.41
Even to this day we can still feel the beauty of this
poem with an apricot branch image symbolizing the vitality of nature
and the monks who regarded the invariable truth as the strength hidden
The monk Chan Khong (1016-1100) belonging to the Vinitaruci sect also wrote a litany bearing the thoughts of Man Giac’s poem:
Spring comes, spring goes away, we doubt that spring ends;
Flowers fade, flowers blossom, it’s always Spring.
So, despite its root in the Heart [the heart means
Buddha’s nature], "All the Buddhist natures come from the heart" after
the explanation of the monks during the Ly’s reign, it hides itself
deeply in the nature or in today’s terminology, it ‘objectifies’ itself.
According to the monks of the Wu Yantong sect, enlightenment consists
in the perception of the invariable truth, the miraculous substance. But
how to perceive that invariable truth especially when all "phap are nullity after the point of view" of the nature of nullity that they had recognized?
Thus the nature of nullity or the invariable truth is also nullity. The monk Bao Giac (died 1173)42 deals with this problem in the following litany:
All the phap return to nullity, unable to lean against anything, anywhere.
But returning to nullity, the invariable truth will become a ‘plain-sight’ opportunity for becoming enlightened.
But the perfect enlightenment of the heart cannot be shown externally.
Considering the heart as the moon upon the water
surface would be a way to destroy it. Nevertheless, the last sentence of
this litany is actually rather obscure. Did Bao Giac mean by the words
"to destroy the heart" the sense "to lead the heart to nullity?" On that
problem, the monk, Ngo An (l020-l088), belonging to the eighth
generation provided a more lucid explanation:
Miraculous nature, i.e., the Invariable Truth is
nullity, upon which we cannot rely. But with the nullity of the heart,
we can easily awaken the miraculous nature. The pearls burnt in the
mountain keep their brilliant colors. The lotus blossoming in the fire
remains always wet, it never dries out.
Obviously, if we want to perceive the invariable
truth of nullity, we must achieve the heart of nullity which also means
the ‘Heart nullity’. On the ‘Heart nullity’, the imperial preceptor,
Vien Chieu (999-1090), belonging to the generation before Ngo An, had
The human’s body resembles a wall about to crumble.
All the living beings are in a hurry: who is not in sadness?
If one gets the ‘Heart nullity’ without a religious physiognomy,
Religion and nullity, sometimes appearing, sometimes disappearing, no matter their change.
To achieve the heart awaked with the invariable
heart, we cannot perceive it with [merely] our daily experience. That
perception can only be a super-experience, or intuition. Thus we have no
need of written language, as was explained above. Language is an
instrument which tends to prevent discernment. Any analysis dependent on
reason would damage the awaking of religion (the ‘heart awaking’, the
The monks of the Wu Yantong sect during Ly’s reign
took precisely this point of view. For example, the monk Minh Tri (died
in 1196) belonging to the tenth generation was against what was called
arguing, i.e., analysis and distinction:
Educating about religion (Chan Buddhism) must be done in a special manner;
The Ancestor and Buddha’s source is invisible and voiceless.43
If anyone wants to argue (to analyze) on that matter,
He will be doing something like looking for the smoke of an illusory fire.
Before Minh Tri, the monk, Bao Giam (died in 1173),
belonging to the ninth generation, had praised "the intelligence has no
distinction" point of view, in the following litany:
The intelligence is like the moon that shines in the sky.
Its light covers the whole universe,
does not allow any corner to be in darkness .
If anyone wants to know, it will be nullity without distinction;
It resembles the vegetation which is ever green on the mountain, with dispersing evening smoke.
In this context, nullity without distinction
comprises many aspects: no distinction of opposite concepts, no
distinction of object and subject perception, no partiality, no
prejudice. To reach enlightenment is to wait for the appearance of the
light of the Prajna. For this the Buddhist follower does not need any
form of complicated training, nor any assistance from exterior forces
such as Buddha or ancestors.
We are thus not surprised, in the Wu Yantong sect during the Ly period, to find ideas that seem to contradict habitual concepts:
Only a few people can get veritable enlightenment through cloistering,
for cloistering is nothing but imprisoning the intelligence for perfection.
When one gets the marvel of the invariable truth,
The sun appears brilliant in the sky.1
The light of intelligence will appear like the sun, the sun of intelligence.
In his Tham Do Hien Quyet the monk, Vien Chieu (999-1090), quoted a part of the following dialogue:
"An aspirant monk asked a monk about the idea of the two following questions:
‘Why not follow Buddha to open the stock of marvels?
Why not ask one’s Ancestors for fire to keep the lamp alit?
The monk answered:
The oriole sings in the sky in autumn.
Peonies blossom in the snow’.
This answer affirms the questioning of some
practices. One should not petition the Buddha nor one’s ancestors; one
must rely on oneself and be firm in every instance and condition.
"Peonies blossom in the snow" corresponds to "Lotus blossoms in the
furnace," Ngo An’s idea expressed in the above-mentioned poem.
Monk Giac Hai of the tenth generation likewise
pointed out: If someone asks where the Buddha-land is, he will be like
the carp in a jumping competition at Long Mon, being touched on the
forehead [meaning he will fail to know where it is.]
Monk Quang Nghiem (1122-1190), a generation after Giac Hai, returned to the "not to follow Buddha" point of view:
The young men have in themselves a willful and raging spirit,
They must not follow Buddha’s way.
This resembles Vinitaruci nun Dieu Nhan’s "Not to petition the Buddha" above.
The Wu Yantong was influenced by Tantrism during the Ly period, albeit not as deeply as the Vinitaruci sect was. According to Thien Uyen Tap Anh,
monk Khong Lo (died 1119) devoted himself to studying Dalani [dharani],
which allowed him "to fly in the air, to walk on the water so well that
nobody could anticipate it." Khong Lo composed a marvelous poem in
which he expressed his conceptions about geomantic omens and Taoist
I have chosen a land full of dragons and snakes.
But the feelings for my native village have never diminished.
Sometimes I rush straight on the mountain.
A sounding cry cools down the sky.45
The monk Giac Hai, Khong Lo’s
disciple, was shown to have been influenced by Tantrism with the mention
of his magical practices related in Thien Uyen Tap Anh. This same book, however, reports that Khong Lo and Giac Hai both belonged to the Thao Duong sect.46
Nevertheless, we cannot deny the influence of Tantrism on the Wu Yantong sect during the Ly period. Again according to Thien Uyen Tap Anh,
monk Nguyen Hoc (died 1175) belonging to the tenth generation of this
sect, "often used the Dalani magical words to cure diseases or to beg
for rain, always getting immediate positive results. King Ly Anh Tong
allowed him to enter the forbidden palace with the intention of using
his magical words to overcome any eventuality". Another monk, Tinh Gioi
(died 1207) was dubbed the "Rain Monk" by Ly Cao Tong for his ability to
pray for rain or good weather: The Tantric character of Wu Yantong
became even more accentuated between the middle of the 12th century and
the beginning of the 13th, during the reigns of Ly Anh Tong and Ly Cao
The philosophies of Laozi and
Zhuangzi also had some influence over the Wu Yantong sect under the Ly.
The way of presenting the Invariable Truth or the marvelous nature of
the monks of this sect closely resembled Zhuangzi’s and Laozi’s way of
presenting the Tao. Even the words ‘hy di’ (meaning invisible) were borrowed from them. In Laozi, "The Tao is looked at but not seen—that is why it is called di ("invisible"); listened to but not heard—that is why it is called hy ("voiceless")"47.
Laozi and Zhuangzi’s language and spirit can be found in the poem by monk Hien Quang (died 1221):
The main thing is to get Hua Do morality.
One must not mind how many springs have passed in his life.
May he be free and untroubled in the countryside.
Idleness is the morality of the free.48
Many monks of the Wu Yantong
sect were keenly interested in elaborating the history of the various
Buddhist sects in Vietnam. The originator of such work was monk Thong
Bien (died 1134), belonging to the eighth generation of this sect. He
originally had the name Tri Khong, and was imperial preceptor Vien
Chieu’s disciple. Thanks to his broad and in-depth knowledge of Buddhist
history, he could answer the Queen Mother Linh Nhan’s questions on the
origins of different orders and sects and was thus bestowed with one of
the ten titles of a Buddha, the ‘Great teacher Thong Bien’. Historic
documents on the orders and sects elaborated by Thong Bien were later
rewritten by his disciple Bien Tai as Chieu Doi Luc. This work
was passed down to the twelfth generation monk Thuong Chieu (died 1203)
who further elaborated the text in turn calling his version Nam Tong Tu Phap Do. This book contains diagrams49 representing different generations of the various Buddhist sects in Vietnam.
Thien Uyen Tap Anh contains reference to
Than Nghi (died 1216). This disciple of Chieu once said to his master:
"I have served you for years but do not know who is the first propagator
of this religion. Now I wish to be instructed on the propagating order
of Buddhism to allow contemporary scholars to know the origin of its
sects and orders".
Praising Tham Nghi for his faithful dedication to him, Thuong Chieu gave his disciple Thong Bien’s Chieu Doi Luc that explains the various phap
(dharma) of all the Vietnamese Buddhist sects. After having read the
text, Than Nghi wondered why the sects led by monks Nguyen (or Ly?) Dai
Dien and Nguyen (or Ly?) Bat Nha did not appear. Thuong Chieu explained
that Thong Bien must have omitted them on purpose. The reason may be
that according to Thien Uyen Tap Anh, monk Bat Nha’s sect
belonged to the Thao Duong sect. Some time later, Than Nghi himself
passed various documents onto his student, monk An Khong, also known as
great monk Na Ngan. Thien Uyen Tap Anh, which was largely compiled during the later Tran period50,
is a valuable document for the study of Buddhism under the Ly. Its
compilation was gradually completed by monks in the Wu Yantong sect
THE THAO DUONG CHAN SECT UNDER THE LY DYNASTY
In contrast to the already developed Vinitaruci and
Wu Yantong sects, the Thao Duong was particular to the Ly. It is,
however, unfortunate that only a handful of documents remain about this
sect. In Thien Uyen Tap Anh’s appendix there is a list of this sect’s generations.
The monk Thao Duong, who was cloistered in Thang
Long’s Khai Quoc pagoda, inaugurated the sect that bears his name. This
pagoda had been the place for Wu Yantong sect monks like Van Phong,
Khuong Viet, and Thong Bien. Only a few references are made to Thao
Duong in Le Trac’s An Nam Chi Luoc. One of these:
"Thao Duong followed his
master in Champa. In the war against that country, Ly Thanh Vuong (i.e.
Thanh Tong) captured that monk whom he made a slave to lesser monks ."51
One day a lesser monk wrote a
collection of aphorisms. He put them on the table and came out. Thao
Duong stealthily entered and corrected them. Surprised by what the slave
did, the lesser monk reported to the king who named the slave monk the
state monk .52
Cao Hung Trung’s book An Nam Chi
relates: "The monk Thao Duong was a very virtuous man who knew Buddhist
classics perfectly. The Ly emperor honored him as a master. Afterward,
he died in a quiet sitting position."53
Thien Uyen Tap Anh
notes that Thao Duong belonged to the Tuyet Dau Minh Giac sect. The monk
Tuyet Dau (980-1052) belonged to the Yun Men (Cloud-gate) sect founded
by the monk Van Yen and split from the Southern China Thanh Nguyen sect,
cloistered in the Tu Khanh pagoda located in the Xuedou ("Snow bean")
mountain of Zhejiang province. He was given by the Song Emperor the
title of Minh Giac, the great monk; and thus was often called Tuyet Dau
Minh Giac. Thao Duong was a Han Chinese. Ly Thanh Tong came back from
the war against Champa in 1069. And it evidently was that Thao Duong who
arrived in Thang Long that year. The various generations of the Thao
Duong sect as related in Thien Uyen Tap Anh are:
- The First generation comprised three monks: King Ly Thanh Tong (1023-1072), the monk Bat Nha and the hermit Ngo Xa.
- The Second generation comprised four monks: the
official Ngo Ich, the monk Hoang Minh (also known as Thieu Minh), the
monk Khong Lo and the monk Giac Hai (also named Dinh Giac).
- The Third generation
comprised four monks: Vice advisor Do Vu, the monk Pham Am, King Ly Anh
Tong (1136-1175) and the monk Do Do54.
- The Fourth generation comprised three monks: the monk Truong Tam Tang, the monk Chan Huyen and the vice advisor Do Thuong.
- The Fifth generation comprised four monks: The monk
Hai Tinh, King Ly Cao Tong (1173-1210), Nguyen Thuc and the royal
servant having the family name of Pham.
Through an examination of the various generations of
the Thao Duong sect, it is evident that many of its members were in the
same families as the Kings Thanh Tong, Anh Tong, and Cao Tong and many
officials and dignitaries. It is safe to conclude that although this
sect enjoyed great power under the Ly, its circle of followers remained
Unfortunately, due to a lack of documents, historians
know little of the Buddhist ideology of this sect. They can, however,
surmise that many monks in this sect practiced Tantrism. Two such monks,
Khong Lo and Giac Hai, were discussed above. When investigating the
Buddhist sects during the Ly period, the monk, Thong Bien of the Wu
Yantong sect, omitted any reference to the sects led by monks Dai Dien
and Bat Nha. Dai Dien was a monk specializing in magic. It is likely
that the monk, Bat Nha ("Prajna"), also practiced Tantrism.
Some argue that the discussion of Avalokitesvara,
Amitabha, The Land of Bliss, and Buddhist prayer methods found in his
article "Truy To Canh Sach" suggests that Thao Duong was strongly
influenced by the Pure Land sect. Unfortunately, lack of concrete
evidence prevents us from firmly establishing whether Thao Duong
actually authored the article. Nevertheless, the ideas of the Pure Land
sect and the cults of Avalokitesvara and Amitabha were widespread during
the Ly period and exerted an important influence on various Chan sects
even before the establishment of the Thao Duong sect.
Others draw links between Thao Duong and the Chinese
Tuyet Dau Minh Giac sect, pointing to ideological affinities between the
two. While a case can be made for such a hypothesis, it would certainly
be wrong to claim that Thao Duong was actually a disciple of Tuyet Dau.
As noted in the An Nam Chi Luoc, Thao Duong’s
master, whom he accompanied on a journey to Champa, was not Tuyet Dau.
On the other hand, evidence that Tuyet Dau died in 1052 and that Thao
Duong arrived in Thang Long in l069 suggests that the two monks lived
during roughly the same period.
As Bonze Superior, Tuyet Dau Minh Giac and his Yun
Men (Cloud-gate) sect, supported a degree of reconciliation between
Buddhism and Confucianism, his thought proved influential among
Confucian circles. It is perhaps because of this that in Vietnam, the
Thao Duong sect spread among the aristocratic bureaucratic classes who
eschewed monastic life. Tuyet Dau’s important work was the Tuyet Dau Ngu Luc, a collection of poetic aphorisms. He is generally considered to be a poet of great talent. In the 12th century, the Tuyet Dau Ngu Luc
was a popular text among Ly Buddhist sects. For example, Bonze
superior, Quang Nghiem (1122-1190) of the Wu Yantong, heard Bonze
Superior Thien Tri preach from the Tuyet Dau Ngu Luc at the Phuc Thanh pagoda. This perhaps suggests the influence of Thao Duong.
However, it is unlikely that dishonest and greedy
luminaries such as King Ly Cao Tong or the influential aristocrat Do Anh
Vu followed Buddhist precepts for reasons other than religious faddism,
and certainly not as a genuine expression of religious devotion or as
an earnest search for inner peace.
TOWERS AND PAGODAS UNDER THE LY
Any treatment of the religious and cultural
dimensions of Ly Buddhism would be incomplete without a consideration of
Buddhist towers and pagodas. Ancient history texts, from the Dai Viet Su Luoc to the Dai Vet Su Ky Toan Thu,
note that Ly kings from virtually every reign built and patronized
pagodas and towers. These histories record that while kings dipped into
state revenues to finance pagoda and tower construction, countless
smaller temples were built and supported by local officials and
Immediately after transferring the royal capital to
Thang Long, King Ly Thai To ordered the construction of the Hung Phuc
pagoda within the walls of the citadel and the Thang Nghiem pagoda
outside. In 1011, the Van Tue pagoda was also built inside the capital
and other temples such as the Tu Dai Thien Vuong, the Cam Y, and the
Long Hung Thanh Tho were erected in the neighboring countryside. In 1016
two pagodas, Thien Quang and Thien Duc were built. In 1024, another
pagoda, the Chan Giao, was built within the royal citadel to allow the
king to attend prayer recitals.
After succeeding to the throne
in 1031, Ly Thai Tong financed the construction of 150 village pagodas.
In 1041, he built the Tu Thi Thien Phuc monastery in Tien Du Mountain
and in 1049, he erected the Dien Huu pagoda, better known as the Chua
Mot Cot or One-Pillar Pagoda, in Thang Long55.
In l056, during the reign of Ly Thai Tong, the Sung Khanh Bao Thien
pagoda (known as the Bao Thien pagoda) was built on the site where the
Hanoi Cathedral stands today. In l057, the Thien Phuc and Thien Tho
pagodas and the Dai Thang Tu Thien tower in Sung Khanh Bao Thien pagoda.
In 1058, Do Son tower was built and at that time it was named Tuong
Long. In l059, the Sung Nghiem Bao Duc pagoda was built on the Tien Du
mountain. In l070, the Nhi Thien Vuong pagoda was built in Thang Long.
Under the reign of King Ly Nhan
Tong, scores of pagodas and temples were erected throughout the
country. The king’s mother, Linh Nhan, is credited with ordering the
construction of over 100 pagodas. In 1086, the construction of the Canh
Long Dong Khanh pagoda began in Lam Son56
mountain and was completed in 1094. The tower of this pagoda was
finished in 1088. In 1099 a pagoda was built in the An Lao mountain, and
in 1100 the Vinh Phuc pagoda was built on the Tien Du mountain. In
1105, the One Pillar Pagoda was enlarged and two towers were added. That
same year, three more towers were built on to the Lam Son pagoda. In
1108, the Van Phong Thanh Thien tower came under construction on the
Chuong Son mountain57 and was finished in 1117.
Construction of the Thang Nghiem Pagoda began in 1114
and was completed in 1118. A chamber, called the Thien Phat, and
containing one thousand statues of the Buddha, was added that same year.
In 1115, the Sung Pham pagoda in Sieu Loai hamlet (Thuan Thanh- Ha Bac)
was constructed. The erection of the Sung Thien Dien Linh tower at the
Doi mountain (Duy Tien, Ha Nam Ninh) began in 1118 and was completed in
1121. The Tinh Lu pagoda was completed in 1119. In 1121, local
authorities built the Bao Thien pagoda and began constructing the Quang
Giao pagoda at the Tien Du mountain. It was finished in 1123. That same
year saw the completion of Phung Tu pagoda and four years later the
Trung Hung Dien Tho pagoda was also finished. In 1134, during the reign
of King Than Tong, two pagodas, the Thien Ninh and Thien Tho were built.
While history does not record the construction of any
pagodas during the reigns of Kings Anh Tong and Cao Tong, it is often
argued that the Phap Van pagoda (In Thuan Thanh, Ha Bac) was completed
during their era in 1161. As evidence suggests that the pagoda was
actually built much earlier, it was perhaps only renovated in 1161.
Another massive renovation occurred at the Chan Giao pagoda in 1179,
where Ly Hue Tong, the last Ly king, entered the monkhood during the
waning years of the dynasty.
The pagodas and towers mentioned above were erected
by the state and thus recorded in official history books. Moreover, many
local pagodas were also built. Based on steles which date from the Ly
period, it is known that the construction of Bao An pagoda on An Hoach
mountain (Nhoi mountain in Thanh Hoa) began in 1099 and was completed a
year later. The Bao Ninh Sung Phuc pagoda in Chiem Hoa (Ha Tuyen) was
built in 1107. The Linh Xung pagoda at the Nguong Son mountain (Ha
Trung, Thanh Hoa) was built on Ly Thuong Kiet’s orders and finished in
1126. The Sung Nghiem Dien Thanh pagoda (Hau Loc, Thanh Hoa) was built
in 1117. Work on the Dien Phuc pagoda (Xuan Thuy, Ha Nam Ninh) began in
1121 and ended in 1122. The Dien Phuc pagoda from Co Viet hamlet (My
Van, Hai Hung) was built around 1156-57. The Tu Gia Bao An pagoda at
Thap Mieu (Me Linh, Hanoi) was finished in 1209.
While the distinctive architecture of Ly pagodas and towers has been gradually destroyed over time, scattered ruins and epigraphical
vestiges give us some sense of its scale and special characteristics.
An archeological excavation carried out in 1972-73 at the Lang (Vien
Giac) Pagoda in the Minh Hai commune, My Van district, Hai Hung
province, uncovered a significant segment of the foundation of a pagoda
built around 1115 during the Ly. Nearly square in shape, the foundation
comprises three floors, the first 20.2 x 23.6 meters, the second 15.2 x
l8.8 and the third 8.2 x 10.4 meters. The third floor served as an
altar, the remains of which include Buddha statues and statues of lions
holding aloft the Buddha’s throne poised atop a stone platform58.
The three story square pagoda had four doors each facing a cardinal
direction, a special feature which seems characteristic of Ly
Many Ly pagodas such as the Phat Tich (Van Phuc)
pagoda built in 1057 and the Giam pagoda built in 1086, were situated
atop mountains. They were generally built on high stone platforms and
embedded in the mountain sides. Many of the floors from these mountain
pagodas are still visible today. The Dien Huu pagoda (i.e. the
One-Pillar Pagoda) was also an original architectural feat of the Ly.
According to the:
In winter, on the tenth
month of the sixth year of Thien Cam Thanh Vu (1049), the Dien Huu
pagoda was built. It was constructed following a dream of the King Ly
Thai Tong. In the dream, the king had seen Buddha Avalokitesvara sitting
on a lotus throne and had been invited to sit upon the throne with her.
The king’s officials interpreted the dream as a bad omen. One of them,
the monk Thien Tue, advised the king to erect a pagoda atop a stone
column and place within it a throne resembling the one he had seen in
his dream. The monk then walked around the column reciting prayers and
begging for longevity for the king. Thus, the pagoda was named Dien Huu,
meaning long life59.
In Autumn, in the nineth
month of the fifth year of the Long Phu era (1105), two white pointed
towers were added to the Dien Huu pagoda. King Ly Nhan Tong ordered the
pagoda renovated, to make it more beautiful than before. He had a small
lake dug around the pagoda called Linh Chieu Lake. The lake in turn was
surrounded by an ornately carved and painted path. Another lake, Bich
Tri, was dug around the path with a parabolic bridge linking the two
sides. In the courtyard in front of the pagoda, a tower was erected. On
the first and fifteenth days of every month and the eighth day of the
fourth month, the King prayed and carried out a Buddhist bathing rite at
the pagoda. This ceremony became a routine over time.60
The stele on the Sung Thien Dien Linh tower erected in 1122 atop the Doi mountain in Ha Nam Ninh contained a similar paragraph:
The Dien Huu pagoda was
built in the Tay Cam garden in accordance with the ancient dimensions
and based on both the requirements and patronage of the king at that
time. After the Perfumed Linh Chieu lake had been dug, a stone column
whose top was covered by a lotus with a thousand blossoming leaves
emerged from its depths. A dark red temple was built on the lotus and a
yellow statue was erected inside it. A painted path ran around the lake.
And around the path, the Bich Tri lake was dug. A parabolic bridge
linked the two sides. In a courtyard, to the right and left of the
bridge, two towers inlaid with precious pearls were erected61.
Obviously, the architectural style of the Dien Huu
pagoda during the Ly period was different and much more beautiful than
the One-Pillar Pagoda as it exists today.
During the Ly dynasty, the
pagoda and tower architecture was symmetrical and parallel, with all
structures constructed around a central axis. Also popular were
many-storied towers. For example, the Dai Thang Tu Thien Tower of the
Bao Thien pagoda constructed in Thang Long was twelve stories high62.
The Sung Thien Dien Linh tower in the Doi pagoda (Ha Nam Ninh) was
thirteen stories high. The Chieu An tower at the Linh Xung pagoda (Thanh
Hoa) was nine stories high. The tower at the Phat Tich pagoda (Ha Bac)
was ten stories high and 8.5 meters wide on each side. The Van Phong
Thanh Thien tower in Chuong Son was built on a pedestal nineteen meters
wide, and much higher than the Phat Tich tower63.
Pagodas and towers during the
Ly reign were decorated with spherical statues and beautiful bas-reliefs
carved in stone. The statues include representations of elephants,
horses, rhinos (i.e., in the Phat Tich pagoda in Ha Bac), crocodiles
(i.e., in the Lang Pagoda in Hai Hung and Hanoi’s Ba Tam pagoda), and
divine birds such as dancing and singing fays (i.e. at the Chuong Son
and Phat Tich pagodas). Decorative designs of lotus leaves and waves are
found carved in stone on the floor and the pagoda walls are often
covered with pictures. For example, the walls of the Linh Xung pagoda
were reputedly, "painted with beautiful scenery, Buddhist images,
ever-changing forms and uncountable pictographic designs"64.
On the walls Of the Sung Nghiem Dien Thanh pagoda, "There were
paintings suggesting the principle of karma and laws of cause and
effect, and depictions of thousands of fantastic and illusory
Ly Dynasty art complemented the
beauty of Buddhist architecture, and Ly Dynasty Buddhism in turn shaped
the distinctive spirit of Ly Dynasty art. Statues erected within
pagodas and towers can be analyzed to illuminate important aspects of
art and Buddhism under the Ly. Three stone statues from the Ly period
remain today. The first can be found in the Phat Tich pagoda in Ha Bac,
the second at the Mot Mai pagoda66
in Ha Son Binh, and the third at the Ngo Xa pagoda in Ha Nam Ninh. The
Phat Tich Statue, the most beautiful, stands 1.87 meters high, 2.77 with
the pedestal included. According to epigraphic evidence, the statue was
completed in 1057. While some scholars identify the statue as a
representation of the Buddha Amitabha, others disagree.
The Mot Mai’s statue, on the other hand, based on an
inscription carved into its lotus-crowned lion-shaped pedestal, is
generally accepted to be Amitabha. According to the inscription, "A monk
with the Buddhist name Tri Bat from Thach That mountain, upon recalling
Amitabha in the ‘Western Land of the Blessed’, asked his followers to
build a large ceremonial altar. He also planned to erect a large stone
statue of Amitabha, but was unable to realize his aim." Only in the
eighth year of the Hoi Phong era (1099) did he manage to have the statue
completed. Tri Bat, whose name was carved on the pedestal of the Mot
Mai pagoda is almost certainly a member of the 12th generation of the
Vinitaruci sect. As mentioned previously, Tri Bat (1049-1117) was a
disciple of Bonze Superior Sung Pham in the Phap Van pagoda (i.e., Dau
pagoda Ha Bac.) According to the Thien Uyen Tap Anh, Tri Bat
entered the monkhood in the To Phong pagoda atop Thach That mountain.
Tri Bat was strongly influenced by Tantrism, as evidenced by the Tantric
prophesy he repeated at the end of his sutra on the nature of life and
death. But based on the inscription on the statue pedestal, it is clear
that Tri Bat was also influenced by the Pure Land sect and believed in
the ‘Western Land of the Blessed’ and in the Buddha Amitabha. This
suggests that the Pure Land sect exerted influence within the Vinitaruci
sect. At that time the Wu Yantong sect was also influenced by the Pure
Land sect. According to the Thien Uyen Tap Anh, Bonze Tinh Luc
(11l2-ll75), a member of the tenth generation of the Wu Yantong sect,
advocated reciting prayers with both one’s heart and mouth. This
suggested a combination of the Dhyana and the Pure Land beliefs.
The existence of Pure Land
beliefs and a belief in Amitabha, can also be seen in the inscription on
the Sung Thien Dien Linh tower at the Doi pagoda in Ha Nam Ninh. The
inscription on the tower recalled the Amitabha statue erected during the
Quang Chieu lantern festival in front of the Dai Hung gate of Thang
Long. It also expresses hope that Queen Linh Nhan "will have a pure and
contented soul after death." The inscription on the stele of the Vien
Quang pagoda (constructed in 1122) related that the statue of Amitabha
could be found in the middle compartment beside the statue of
Bodhidharma. The final sentence of the inscription said, "Amitabha sits
in the middle and Bodhidarma sits behind him"67.
Coupled with a belief in Amitabha, there was also a
belief in Avalokitesvara, the Bodhisattva whose job it was to lead
living beings to the Western Land of the Blessed. It is clear that a
cult of Avalokitesvara was widespread during the Ly. The aforementioned
excerpt from the Dai Viet Su Ky Toan Thu concerning Ly Thai
Tong’s dream and the construction of the Dien Huu pagoda suggest, the
strength of the belief in Avalokitesvara that existed during this
period. In Vietnam however, belief in Avalokitesvara could often occur
independently of belief in Amitabha. According to an inscription found
on a stele erected in 1157 in the Dien Phuc pagoda (Co Viet hamlet, Hai
Hung) a statue of Avalokilesvara was positioned between two other
statues, one of Manjusri and one of Samantabhadra. This positioning of
statues differed from that found in other pagodas where statues of
Sakyamuni, not Avalokitesvara typically sat between the other two
Buddha Maitreya was also worshipped during the Ly. According to the Dai Vet Su Ky Toan Thu,
in 1041, King Ly Thai Tong "went to the Tien Du mountain to watch the
construction of the Tu Thi Thien Phuc monastery. Upon returning to the
capital, he ordered 7,560 kilograms of copper to be used to sculpt
statues of the Buddha Maitreya and two other Bodhisattvas (Hai Thanh and
Cong Duc) and to cast a bell for use in the monastery"68.
As Tu Thi is often considered another name for Buddha Maitreya, the Tu
Thi Thien Phuc monastery perhaps served as a pagoda to worship this
inscription on the stele found at the Quynh Lam pagoda in Quang Ninh
also told of the erection of a large Buddha Maitreya statue.
In Ly pagodas. Buddha Maitreya
was worshipped as a future Buddha together with a past Buddha and a
Buddha of the present, making a triad of three generations. The
inscription on a stele erected in 1118 at the Sung Nghiem Dien Thanh
pagoda in Thanh Hoa described the statue in the pagoda as follows, "In
the middle sits Sakyamuni70, the Buddha of the present, at one side sits Kasyapa71, the Buddha of the solemn and glorious past and at the other sits Buddha Maitreya, the Buddha of the brilliant future72."
In the Sung Nghiem Dien Thanh pagoda, three beautiful stone pedestals
remain to this day. Resembling one another, they have the form of lions
carrying Buddha thrones. They date from the Ly. It is possible that at
one time, these pedestals held aloft the three generations of Buddhas,
Sakyamuni, Kasyapa and Maitreya.
The statue of Sakyamuni was also worshipped
individually, according to the inscription on the stele at the Bao An
pagoda on An Hoach mountain (Thanh Hoa): "In between sits Sakyamuni and
under him is Avalokitesvara."
Another Buddha, the Da Bao Nhu
Lai, was also worshipped during the Ly. An inscription on a stele found
at Sung Thien Dien Linh tower notes his name twice. It mentions that a
Da Bao Nhu Lai statue was erected atop a golden mountain before the Dai
Hung gate of Thang Long. It also refers to a Da Bao Nhu Lai statue
erected among statues of the eight "wise generals." Da Bao Nhu Lai was
often associated with the Saddharmapudarika sutra73, a sutra known to be popular at that time74.
While the inscription on the Sung Thien Dien Linh
tower notes the existence of eight statues of "wise generals," only six
of the statues remain today. The inscription on a stele found in Dien
Phuc pagoda (Co Viet hamlet, Hai Hung) suggests that the pagoda at one
time also contained a similar series of statues.
Other Ly steles note the existence of statues of Buddhist guardians such as the ones just mentioned above. Statues of arhats were also widespread during the Ly. One arhat,
Pindola Bharadvaja, was worshipped at a separate altar in the Doi
pagoda and was referred to in the Sung Thien Dien Linh tower inscription
as the "Tan Dau chief monk". Statues of the four Heavenly Kings, Brahma
and Indra also seem to have been popular during the Ly75.
In short, it appears that many different Buddhas,
Bodhisattvas, and Heavenly Kings were worshipped in pagodas during the
Ly. The quantity of Ly statuary however, seems small as compared with
succeeding dynasties. Based on information culled from Ly steles, there
were not many statues cast during this period and those that were tended
to differ from one another in design, decoration, and positioning
within the pagoda. Moreover, Ly pagodas did not contain altars
embellished with ordered series of statues as found today.
Based on the names given to Ly
pagodas such as the Four Great Heavenly Kings Pagoda, Two Heavenly Kings
Pagoda, The Maitreya Heavenly Happiness Pagoda, it seems likely that
some pagodas were built for the worship of a particular number of Buddhas,
Bodhisattvas, and Heavenly Kings. Other pagodas such as the Bao Thien
pagoda in Thang Long, served as places to pray for good weather. During
such prayers, a procession was organized and a statue of Phap Van was
carried from the Dau pagoda to the Bao Thien pagoda. This suggests a
certain overlapping of Buddhist and popular local beliefs76.
In short, Ly pagodas and towers and their worship
help us to understand the complex and varied character of Buddhism at
2 Literature under Ly, Tran’s Reigns, Book 1, Hanoi, 1977, p.362.
2 This pagoda is located at Ba Son mountain, i.e. Tien Son, Ha Bac.
3 I.e., Doi pagoda, Duy Tien district, Ha Nam Ninh.
4 I.e., Ly Nhat Trung, King Ly Thai Tong’s son.
5 Sentences in quotation marks are excerpts from Thien Uyen Tap Anh (TUTA).
6 . In
Nghi Xuan district, Nghe Tinh, archaeologists have found the vestiges of
pagodas and towers built under the Ly, near the temple dedicated to Ly
7 Literature under Ly, Tran’s Reigns, op.cit., p. 545.
8 Dai Viet Su Ky Toan Thu (DVSKTT), ban ky, Bk.3, p. 39b; TUTA, lower book.
9 Id., p. 12a.
10 DVSKTT mentioned the chief monk Tham Van Uyen in 1014. TUTA
related that the monk Hue Sinh (died 1063) had been promoted chief monk
from an assistant chief monk; the monk Vien Thong being promoted
assistant chief monk in 1130, then chief monk in 1143.
11TUTA, lower book.
12According to DVSKTT and Viet Su Luoc (VSL) it was in 1122; according to the stele in Sung Thien Dien Linh tower, it was in 1121.
13 Literature under Ly, Tran’s Reigns, op.cit., p. 40.
14DVSKTT, book 2. p. 8b, says Nguyen Dao Thanh while VSL (book 2, p.3b) says Nguyen Thanh Dao.
15 These two trips are recorded in VSL.
16 VSL, bk. 3, p. 10.
this generation, Thien Ong did not survive until Ly’s reign; meanwhile
Sung Pham, whose birthday and death-day remained doubtful as mentioned
in the previous chapter, did live under the Ly reign. He was a teacher
of the monk Tri Bat; the latter was born only in l049.
18 According to TUTA, Thuan Chau was in the same generation with Tri Bat, and always TUTA recorded that Thuan Chau together with two others, namely Tinh Hanh and Phap Nhon, were disciples of Tri Bat.
23 I.e. Madhyamika.
24 Based on the Vietnamese translation reported to be by the monk Huyen Qang under the Tran dynasty. See Literature under Ly, Tran’s...., op.cit., p. 345.
25 Based on the Vietnamese translation by Hoa Bang, id., p. 353.
26 Based on the Vietnamese translation by Nguyen Duc Van and Dao Phuong Binh, id., p. 340.
recorded that the monk Quang Nghiem (eventh generation) is a disciple
of the monk Tri Thien who cloistered in Phuc Thanh pagoda, but the name
of Tri Thien did not appear in the tenth generation. It must be that Tri
Thien mentioned here is not Tri Thien who belonged to the Vinitaruci
sect and cloistered at Phu Mon pagoda. Maybe TUTA had wrongly
recorded the monk Thien Tri instead of Tri Thien. Thien Tri is another
name of the monk Minh Tri (tenth generation) also cloistering at Phuc
28 In fact, Ung Vuong had been monk under the Tran reign. See next chapter.
29 Tue Tich would later be the founder of the Chan sect Qui Nguong.
Besides the Tao Khe sect, there was the Thanh Nguyen sect that began
with the monk Hanh Tu. In the second half of nineth century, Tao Khe
sect was split into Lam Te and Qui Nguong sects. By the end of nineth
century, Lam Te sect was split into Hoang Long, Duong Ky sect. And Thanh
Nguyen sect also split into Tao Dong, Van Mon and Phap Nhan sects.
31 The Sino-Vietnamese word ao must be rightly pronounced as huyen. But in this text, we keep its traditional use as ao.
32 Mahaprajnparamita-sastra explained the concept of "not to be is not to be" as follows: "Every phap is nothing" Thus the "not to be" is also nothing, so not to be is not to be".
33 Based on the Vietnamese translation by Ngo Tat To. See Literature under Ly, Tran..., op.cit, p. 445.
34 I.e., invariable truth.
35 "Reality" here is to be understood as "true physiognomy" ["true face’].
36 The opposition between the phenomenal universe on one side and the void universe on the other.
37 We do
not know exactly the year when the monk Cuu Chi died, except only that
he died around the Chuong Thanh Gia Khanh era (1059-1066).
Someone translated this sentence as "no speech could be compared with
the Vo Dac", considering Vo Dac as a method of meditation not aiming at
enlightenment (Nguyen Lang, Viet Nam Phat Giao Su Luan, book l, Ed. La Boi. Saigon, 1974,p. p.7-168).
39 This point of view is that of the Lankavatara-sutra
version by Gunabhadra, the 4-volume version. There is some difference
in the ten-volume. version. It is to be noted that the four-volume
version was rather popular in Vietnam. The monk Phap Loa (Tran dynasty)
wrote a book called Explaining the four-volume Lankavatara-sutra.
40 Thus the concept of ‘Tathata’ had its roots in the Yogacara sect. The Chinese book Weishi lun (On Yogacara) explained: "Truth is not the wrong, it is the eternal. So it can be considered as invariable truth".
41 Based on the Vietnamese translation by Ngo Tat To, Literature under Ly, Tran..., op.cit., p. 299.
did not record the monk Bao Giac in a separate story. However, as he
was the teacher of Tinh Gioi (tenth generation) belonging to the Wu
Yantong sect, we can guess he belonged to the 9th generation.
43 See explication below in the text for the words "invisible" and "voiceless."
44 I.e., the invariable truth.
45 Based on the Vietnamese translation by Kieu Thu Hoach, Literature under Ly Tran...,op.cit., p. 385.
46 According to TUTA,
upper book, both Khong Lo and Giac Hai were the monk Ha Trach’s
disciples; but afterwards, Giac Hai became Khong Lo’s disciple, so he
belonged to the tenth generation. while Khong Lo to the 9th
one. Surprisingly TUTA, lower book, recorded that Khong Lo and Giac Hai
both belonged to the second generation of the Thao Duong sect and both
were Ngo Xa’s disciples.
47 Laozi, chapter 14.
48 Based on the Vietnamese translation by Pham Tu Chau and Hoang Le, Literature under Ly, Tran...,op.cit., p. 554. ‘
49We don’t find the
genealogy of Buddhist generations under the Ly reign, but the genealogy
of the Tran reign ("Luoc dan thien phai do" in Tue Trung Thuong Si Ngu Luc) and the inscriptions on the stele in the Vien Thong tower at Thanh Mai allow us to figure out the genealogy of that time.
510 The taboo words under the Tran reign are still used in this text.
51Those monks looked after the Buddhist affairs under the chief monk’s direction.
52 See An Nam Chi Luoc, bk.14, ‘Phuong ngoai".
53 An Nam Chi, Tien Thich.
54 Surely Do Anh Vu (1114 - 1159) as related in the Viet Su Luoc and DVSKTT.
55According to the DVKTT, book 2,37a. But according to VSL (book 2, 19b) that pagoda was built in 1101, i.e., 52 years afterwards.
56 It’s the Giam pagoda located in the Giam mountain, in Nam Son village, Que Vo district, today Ha Bac province.
57 That mountain is now called Ngo Xa mountain situated in Yen Loi village, Y Yen district, Ha Nam Ninh province.
58 Nguyen Duy Hinh: "Considering the architecture of the Lang pagoda (Hai Hung)," Archaeology Review No. 2, 1977, p. 76-87.
59 DVSKTT. book 2, p. 37a.
60 id, book 3, p.15a
61 Literature under Ly, Tran’s Reigns, p.405.
62 Twelve-storeyed according to DVSKTT, while 20-storeyed according to VSL.
63 Cao Xuan Pho, "The Chuong Son tower during the Ly’s reign", Archaeology Review No. 5, 1970. p. 48-63.
64 Epigraph on the stele Linh Xung, Literature under Ly, Tran’s Reigns, op. cit, p.363.
65 Epigraph on the stele of the Sung Nghiem Dien Thanh pagoda (Hau Loc, Thanh Hoa), Literature under Ly Tran’s Reign, op.cit., p. 376.
66 That pagoda had another name: The Hoang Kim pagoda located in the Hoang Ngo commune, Quoc Oai district, Ha Son Binh province.
67 See the epigraph on the stele of the Vien Quang pagoda in Literature under Ly Tran’s Reign., op.cit, p. 450-457.
68 DVSKTT, book 2, p 29h.
69 Di Lac is a transcription from the Sanscrit word ‘Maitreya’ while ‘Tu Thi’ is its meaning.
70 Hien Kiep means present life.
Diep (Kasyapa) refers here to one of seven Buddhas representing the Past
and not to Sakyamuni’s disciple (also named Kasyapa).
72 Duong lai means future; Tu Thi means Maitreya
73 The "Kien Bao Thap Pham" in Dieu Phap Lien Hoa
related that in the East, there was a country name Bao Tinh where the
Buddha Da Bao lived. When he was just a Bodhitsattva, he made a great
vow. It was that after becoming Buddha and entering Nirvana, his tower
would appear to hear the prayer anywhere the Lotus sutra was preached
74 His name, Da Bao, was found carved on a broken piece of a prayers column erected at Hoa Lu since the Dinh’s reign.
75 According to the epigraph on the stele of the Dien Phuc pagoda in the Co Viet hamlet in Hai Hung written by 1157.
76 The DVSKTT
related that in 1057, "Two pagodas called Thien Phuc and Thien Tho were
built and two statues of Brahma and Indra were moulded for worship,"
(book 3, p. 2a). And in 1134, two other pagodas, Thien Ninh and Thien
Thanh, were constructed and Indra’s statue was repainted (op.cit., book
3, page 13a).